The God of Vengeance: Drama in Three Acts (Classic Reprint)

The God of Vengeance: Drama in Three Acts (Classic Reprint)

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Description

Preface By ABRAHAM CAHAN Editor of the Jewish Daily Forward and author of Yehi; The White Terror and the Red The Rise of David Levinsky etc. THE birth of Yiddish literature in Russia and the beginning of the g Teat Jewish exodus from that country to America are two effects of one and the same cause. The same anti-semitic crusade that forced the Children of Israel to go beyond the seas in search of a safe home, aroused them to a new sense of their racial self-respect and to an unwonted interest in their native tongue. Prior to the anti-J ewish riots of 1881 educated Jews were wont to look upon their mother tongue as a jargon beneath the dignity of cultured attention. Yiddish, more especially in its written form, was the language of the untutored. People with modem training spoke and wrote Russian. As for the intellectual class of the Talmudic type, it would carry on its correspondence and, indeed, write its essays, verse and fiction, in the language of I saiah. One wrote Yiddish to ones mother, for the mothers of those days were not apt to understand anything else.
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regene

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

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